What a Classical-Music Critic Reads
Anthony Tommasini, the former chief classical-music critic for The New York Times, recommends books and music.
Anthony Tommasini, the former chief classical-music critic for The New York Times, recommends books and music.
For Gavin Newsom, the TV exposure had a clear logic. But for the Florida governor, all that was apparent was his psychic need.
Todd Haynes’s film is a beautiful, terrible nesting doll of a story with a uniquely twisted core.
The 29-year-old singer-songwriter Amaarae is trying to bring wide-screen ambition back in the TikTok age.
If people are so mad about high prices, why do they keep buying so many expensive things?
His blindness to human suffering was, in the end, both a moral failure and a strategic one.
Persistent employment misery is a myth.
The political group No Labels is creating a shell campaign. It will acquire a candidate later.
The Loy Krathong festival in Thailand, a funeral service for Rosalynn Carter in Georgia, an eruption of Mount Etna in Sicily, hostage and prisoner releases in Israel and the West Bank, and much more
Perceptions of an increase in retail theft are fueling changes to policy and the experience of shopping.
The world needs weirder EVs.
The technology is less important than the ideas it represents.
For decades, Claire Keegan has been exploring the shabby way the world treats women.
It’s okay if you’ve listened to Steely Dan 42,031 times this year. Really.
The Atlantic’s writing and reporting on one of the most controversial and influential foreign-policy thinkers of the past 50 years
Wealthy countries might finally pay for the climate change they caused.
Maestro is a wonderful look at the composer that dives headfirst into his brilliant work and complicated inner life.
The Israeli prime minister is playing a seedily transactional game.
Sick season will be worse from now on.
Here are some rules for deciding whether a new social-science finding is really useful to you.