![André 3000 crouching in a neon yellow-green shirt holding a flute](https://cdn.theatlantic.com/thumbor/sIEhKXQlZDeMwtcSvsHrNbTQ3wg=/95x0:1106x674/210x140/media/img/mt/2023/11/andre3000/original.jpg)
What André 3000’s Flutes Album Is Trying to Tell Us
Listen close.
Listen close.
Young Iranians can have no illusions about the mix of misogyny, anti-Semitism, and Islamism that Hamas and Iran’s rulers share.
Ridley Scott’s take on the French leader is a sample platter of big battles and bristling insecurities.
Felines who fetch are an evolutionary mystery.
Seven possible explanations for what’s going on
He is becoming frighteningly clear about what he wants.
Corporate governance is playing a starring role in the chaos unfolding inside the world’s most famous AI start-up.
The Day After premiered 40 years ago. It was a scary year.
Sam Altman has retaken the throne at OpenAI.
90 minutes in a van with Dean Phillips
What was Ilya Sutskever thinking when he tried to overthrow Sam Altman?
The accusations against Sean Combs made me rethink my history as a fan.
A federal court’s opinion yesterday could render the Voting Rights Act meaningless, if the Supreme Court upholds it.
Online shopping is too fast for good decisions.
The comedian who “invented storytelling”
An Amtrak ride can go so, so wrong.
Keep the endowment, but spin off the university.
The races fit the American tendency to pit excess against repentance—especially when it comes to food.
We all just lived through our first 2-degree Celsius day.
Karen Hao and Charlie Warzel discuss the fracturing of OpenAI.