What on Earth Is Nathan Fielder Up to Now?
The comedian's newest show, The Curse, is weird and off-putting, yet intensely compelling.
The comedian's newest show, The Curse, is weird and off-putting, yet intensely compelling.
Why do Americans smile so much?
A conversation with the legendary comedian and filmmaker about what annoys him, how you know when something is funny, and his theory about John Lennon
Season by season, For All Mankind has become less a tale of an alternate future than a meditation on historical memory.
Scientists have spent years cryopreserving coral in the hopes of restoring reefs. For the first time, some unfrozen specimens have reached adulthood.
I was a patsy, a sucker, a fool.
In the primary race, low blows have been flying—including about candidates’ footwear.
The selfie camera has gotten too good.
In the short term, indirect rule of Gaza by the Palestinian Authority is worth considering.
The Marvels is pleasurably lightweight, its story unburdened by the off-screen drama of the studio that made it.
The math isn’t adding up.
PinkPantheress, one of Gen Z’s most exciting new stars, harnesses the sound of intelligent artificiality on her new album.
To explain how the world works, authors have to break down complicated systems—without being boring.
They’re better off but not feeling it—which could be a really big political problem.
Putin hasn’t given up his plans. He thinks Ukraine’s allies will lose interest.
Israel has long succeeded in spite of its leaders, not because of them.
The history of the Comstock Act shows how activists can find ways to enforce laws that might appear superficially “unenforceable.”
Chilly swimmers in China, a deadly earthquake in Nepal, figure skating in France, Israeli attacks in Gaza, Palestinians fleeing from Gaza City, and much more
The quality of debates among America’s national candidates has plummeted—and the media must share the blame.
Behold: a yellow watermelon.