
A Courtroom Drama With an Indecipherable Culprit
Saint Omer turns a true crime into a complicated elegy.
Saint Omer turns a true crime into a complicated elegy.
I’ve been locked up in maximum-security prisons for two decades. My time on Rikers Island was worse.
The show has seemed stuck in a rut lately; this week’s host brought some much-needed eccentricity.
How the late musician’s obsession with science fiction shaped his legacy
In the Idaho murders, the real crime has become a “true crime”—an ominous form of interactive entertainment.
The show’s real problem is its attitude toward viewers.
Why is this so hard for studios to believe?
Hawa uses a surrealist slant to reimagine the coming-of-age story.
Lauren Fleshman’s memoir, Good for a Girl, recalls her life as a runner—and the culture she says the sport needs to change.
Måneskin looks a lot cooler than it sounds.
Netflix’s new adaptation of Elena Ferrante’s 2020 novel is a striking, moody show about the contours of deceit.
Missing is a slick but buggy update to the genre.
The idiosyncratic horror film makes use of one of the scariest devices: a story with more questions than answers.
Dwellings are loaded with meaning for the people—and characters—who inhabit them.
A satirical 1883 pamphlet about workers who won’t quit has eerie resonance today.
If the show succeeded, it was thanks to the likes of Michelle Yeoh, Jennifer Coolidge, and Ke Huy Quan.
Many Gen Zers have rejected traditional credit in favor of new-age layaway programs, which are riskier than they may seem.
The HBO adaptation is well versed in the bleak clichés of the zombie genre, but it also offers something unexpected: empathy.
I Didn’t See You There depicts, with a hypnotic realism, life from the perspective of a disabled person.
The zany horror film is as self-aware as the sentient android at its center.