
The Kingdom Is the Strangest Medical Drama You’ll Ever See
Lars von Trier’s hospital horror-comedy, back for a third season, is a scathing satire of institutional failure.
Lars von Trier’s hospital horror-comedy, back for a third season, is a scathing satire of institutional failure.
These titles do more than answer questions: They explain how the world moves and what moves it.
A short story
“Although the scope of ‘The Generation’ may seem, literally, cosmic, it is in fact intimate and highly personal.”
What She Said understands about investigative journalism
The sequel to Knives Out is one big, beautiful brainteaser.
The new season of the HBO docuseries The Vow shows how dangerous the human desire for narrative can be.
A personal pizza may seem sad, but it doesn’t have to be.
Former Disney CEO Bob Iger is back at a time when the company desperately needs a new direction.
Before his abuses of power were exposed, he was celebrated as a scourge of Nazis, Communists, and subversives.
The subversive intent of the playwright’s art and activism has long been underestimated.
What makes the book controversial is exactly what makes it valuable.
The United States can—and must—wield its power for good.
This is an event of such astoundingly obvious wrongness that doing the right thing is easy.
In the new FX/Hulu show Fleishman Is in Trouble, the story of a divorce isn’t as straightforward as it seems.
Todd Field’s film spells out why creator and creation usually can’t be separated.
Only the Strong Survive, his new album of soul covers, isn’t wrong. It’s just pointless.
Live music is a mess right now.
If the book industry is a walled garden, the site is a ladder.
It’s you versus you.