
Rihanna Is Back in the Pop Game—On Her Own Terms
Thank goodness.
Thank goodness.
And it’s the closest we’re probably going to get.
Taylor Swift’s new album surely sounds how it sounds because she, not her producer, wanted it to.
Namwali Serpell’s new book explores grief as it’s really experienced.
I don’t choose them; they choose me.
The Game of Thrones spinoff crammed a 19-year family saga into 10 episodes of television—and somehow, it worked brilliantly.
The unique feeling of sharing parents, or of growing up together, makes this relationship unlike any other.
Martin McDonagh, the man behind In Bruges and The Banshees of Inisherin, thinks he might be mellowing out.
“The root of country music is blues, and it’s Black as hell.”
Let’s be clear: She was not Norma Jeane. She chose to be Marilyn.
The album treads aggressively familiar territory—but with new wisdom and confidence.
A missionary in turn-of-the-century Persia gave up his privilege and became a force for good.
Colin Farrell and Brendan Gleeson make the best, bloodiest frenemies.
“I thrive on a little chaos,” the queen of bubblegum pop said, describing her new album’s grit and glitter.
Dwyane Johnson delivers a charmless performance in his latest movie.
Two new books show that movement helps us see the rhythms we all share—whether in the angular works of Martha Graham or in the natural choreographies of daily life.
Behind the scenes with Cate Blanchett and Fred Armisen on an esoteric labor of love
What it takes to make it in hip-hop’s new capital
How a Michigan real-estate broker became convinced he had cracked the lottery—and how he tricked his investors into financing his scheme
Megan Thee Stallion’s charisma brought her sketches to another level—and emphasized the blandness of the rest of the show.