
The Severance Twist I Can’t Forgive
The Season 2 finale emphasized the show’s most philosophical queries, but one element was hard to swallow.
The Season 2 finale emphasized the show’s most philosophical queries, but one element was hard to swallow.
Playboi Carti sounds like he isn’t saying much. But there’s a story to his music.
A trip to the Criterion Closet is a dream for directors, actors, and their cinephile fans.
Andrew Cuomo is resurgent, and Rahm Emanuel is considering a presidential run. Are these the tough guys Democrats need?
The Russo brothers’ Avengers films took hold of popular culture, but the directors have yet to repeat that kind of success.
Meghan, Duchess of Sussex, embraces old-fashioned domesticity on her new lifestyle series.
I’ve hit the relationship jackpot. But now I have romance FOMO.
Michelle de Kretser’s intellectual coming-of-age explores the fissures between one’s ideals and reality.
Women have always loved America’s pastime. It has never loved them back.
Chaim Grade’s Sons and Daughters rescues a destroyed world.
With Black Bag, Steven Soderbergh makes the case for his own ruthless efficiency.
The film Eephus celebrates the beautiful, blissful anticipation of baseball.
The time I spent working on the Canadian National Railroad changed the course of my life.
The Traitors is part satire, part camp, and pure genius.
Cristina Rivera Garza’s newly translated novel evokes a mixture of numbness and anxiety in the face of incessant violence.
Albert Barnes believed in the liberating power of art—but you had to look at it his way.
In his new film, Mickey 17, the director brings his preoccupation with classism to outer space.
The Palestinian American sitcom is the first of its kind—and takes its humor very seriously.
And I’m riddled with mom guilt.
Five years after the pandemic, I’m holding out for a story that doesn’t just describe our experience, but transforms it.