
A Godzilla Movie That’s Actually Terrifying
Godzilla Minus One is a rare beast: a viscerally arresting monster flick with legitimate emotional stakes.
Godzilla Minus One is a rare beast: a viscerally arresting monster flick with legitimate emotional stakes.
How the cartoonist Raina Telgemeier, the author of Smile, Sisters, and Guts, turned the anxious kid into a hero for the 21st century
In performing an instant-classic awards-show set, she affirmed her timelessness—and her influence on a new generation of artists.
Watching the real Nikki Haley spar with a fake Donald Trump was awkward—and not very funny.
Time travel, Sasquatches, Kristen Stewart in a mullet—here are our favorite movies from this year’s Sundance Film Festival.
Only some of these titles tell happy stories, but they are all reminders of what is possible in metropolises.
A landmark exhibition offers a new history of art.
A trove of images from the 1960s and ’70s, discovered in a Swedish bank vault, offers new perspectives on the past—and the present.
Matthew Vaughn’s Argylle borrows from a lot of very recent spy-thriller history.
Lil Nas X is a provocateur, a troll, an individualist … but he also really, really wants to be liked.
Why is it so hard to root out fakes and forgeries?
Sasquatch Sunset is the latest in a long line of art-house films that turn viewing into an endurance test.
Throughout the defamation trial, Donald Trump eroded the distinction between the court and the court of public opinion.
As a musical guest on SNL, the star’s changed status in the pop-cultural universe was hard to ignore.
The late lead singer of the Shangri-Las had an incomparable voice, which recently found a new life on TikTok.
Fear may be a linchpin of horror, but as a recent anthology attests, the true bedrock of the genre is mood.
Green Day is still attracting controversy, and listeners, with its blend of politics and punk.
In the Heat of the Night. Moonstruck. Fiddler on the Roof. The late Norman Jewison’s films were wildly divergent—and unforgettable.
The Barbie filmmaker isn’t the first to be snubbed for directing a crowd-pleaser.