
Marc Maron’s End-of-the-World Anxiety
In his new Netflix special, End Times Fun, the comedian turns his attention to angst during ongoing crisis, with uncanny timeliness.
In his new Netflix special, End Times Fun, the comedian turns his attention to angst during ongoing crisis, with uncanny timeliness.
The actor’s announcement that he and his wife, Rita Wilson, tested positive brought the reality of the outbreak home for many Americans.
The former presidential candidate is in the news again. Why do some find that so troubling?
In Maisy Card’s vivid debut, These Ghosts Are Family, spirits expose long-held secrets within fractured families and nations alike.
Alex Garland’s new show Devs and Season 3 of Westworld find dystopia in determinism.
First Cow, a quiet story of friendship on the American frontier, is one of the best movies of the year so far.
The pianist McCoy Tyner, who died last week at 81, played with John Coltrane and developed a simple but revolutionary sound.
Two recent novels cannily use all-girls-campus settings to create worlds that feel women-focused but prove to be the reverse.
Riz Ahmed’s The Long Goodbye is the latest hip-hop album to address the state of the U.K with deep sorrow and scorching anger.
Photos from a factory where automation has yet to take hold
‘Electability.’ ‘Likability.’ ‘Authenticity.’ The 2020 Democratic primary has found many canny ways to make misogyny plausibly deniable.
In The Way Back, the actor puts aside his movie-star image and taps into a dark time in his life. The result is the best work he’s ever done.
The four-part documentary does more than simply retell the story of the former presidential candidate’s life and career.
A new book showcases a collection of photos that captures the band’s last concert in England—they were in their pomp, on their mission, and fully charged.
The writer’s new series, Twenties, makes fun of entertainment that is diverse but middling—a criticism her own work has faced.
That’s it. That’s the story.
The release of No Time to Die was delayed because of the outbreak—and for reasons that could affect other major 2020 films.
The country still doesn’t know what to make of a woman—in politics, and beyond—who refuses to qualify her success.
The Oscar-winning Parasite filmmaker spoke with his hero Kelly Reichardt over videochat. The result was as delightful and nerdy as you might imagine.
More and more TV shows about adolescence are defined by their idealized depictions of the past—even when they exist in the present.