
The Place of Politics in Fiction
Should novelists write the world as it is or as it should be?
Should novelists write the world as it is or as it should be?
Discussing Dream Count, her first novel in 12 years, the Nigerian author shares her thoughts on masculinity, political chaos, and the future of fiction.
I was supposed to give a book talk about civil rights at the Jimmy Carter Library. I think I know why the invitation was rescinded.
The Nigerian American author’s first novel in 12 years depicts troubled relations between men and women—but no tidy resolutions.
A poem
Chloe Caldwell’s Women revolves around a life-altering yet toxic affair.
Rich Benjamin’s new book reveals a shared spirit between the world’s first Black republic and the United States.
The columnist’s new book, Believe, argues for religion from a rational perspective. It won’t make a believer out of me.
In a new book, Pankaj Mishra twists Holocaust remembrance into a source of all the world’s evil. He couldn’t be more wrong.
In recent years, these titles have found themselves justifiably rescued from oblivion.
A poem published in The Atlantic in 1857
Haley Mlotek’s new memoir finds a fresh way to talk about the dissolution of a marriage.
Fernando A. Flores’s fantasia depicts the U.S.-Mexico border of the near future as a site of both exploitation and near-limitless possibilities.
Haley Mlotek’s new book provides neither catharsis nor remedies for heartache, but rather a tender exploration of human intimacy.
Before he became America’s most famous poet, he wrote some real howlers.
A poem
Sun City offers evidence that Americans’ widespread isolation began long before they became absorbed in their phones.
These books are all exquisite arguments for the necessity of stories about romance.
Imani Perry’s latest book examines the intersections between the color blue and the history of her people.
A poem