
The Unfunny Man Who Believes in Humor
How Lorne Michaels became the arbiter of funny
How Lorne Michaels became the arbiter of funny
A poem for Sunday
Two authors’ memoirs attempt to communicate intensely isolating experiences to readers.
In All Quiet on the Western Front, Erich Maria Remarque reinvented a genre.
The British Museum should return the ancient treasures to Greece for the sake of art, not nationalism.
Ali Smith scrambles plotlines, upends characters, and flouts chronology—while telling propulsively readable stories.
How a tragic accident helped the author find his rebellious voice again
In Catherine Airey’s new novel, a young person’s curiosity about a life lived without social media or streaming is deployed to superb effect.
Sarah Chihaya’s unconventional memoir charts her troubled relationship with the literature that formed her.
A crop of stories is responding to the fakery of the digital age by embracing the realness of analog objects.
A poem for Sunday
Can any writer offer useful wisdom when ash rains over a metropolis?
As fires have raged, so have citations of the prescient author Mike Davis. But in a changed world, we need new thinkers too.
How to embrace hopeful pessimism in a moment of despair
Whether renaming the “Gulf of America” or issuing edicts on gender, Trump is enforcing his own brand of political correctness.
A poem for Sunday
Two novels take different approaches to bringing the dead back to life.
In the 1970s, Martha Goddard invented the rape kit. So why did she die in relative obscurity?
Kari Ferrell’s memoir is a zippy, intimate account of low-level trickery before the era of scams fully erupted.
Aria Aber’s debut about an Afghan German party girl in Berlin shows that there are plenty of ways to tell an outsider’s story.