When Haruki Murakami Takes His Own Magic for Granted
The Japanese author’s popularity rests on a blend of mystery and accessibility. His latest novel fails to achieve that balance.
The Japanese author’s popularity rests on a blend of mystery and accessibility. His latest novel fails to achieve that balance.
Survivalists, drifters, and divorcées across a resurgent wilderness
Swift is a symptom, not a cause, of the weakening bonds between celebrities and publishing houses.
A poem for Sunday
Yáng Shuāng-zǐ’s Taiwan Travelogue shows how colonization shapes a country’s culinary landscape.
Cher’s memoir is a valuable document of a young girl thrust into the adult world.
Scholastique Mukasonga’s Sister Deborah suggests that some people must look outside the traditional bounds of Christianity to find true spiritual freedom.
The singer has long stood for a brassy, strutting kind of survival. Her new account of her early life explains how that came to be.
It’s what proves you’re a “real” writer.
A poem for Wednesday
These seven books aren’t a cure for rage and despair. Think of them instead as a prescription.
A new book revisits the revolutionary trio’s decision to renounce its debut album, and the implications for the future of music.
Authors tirelessly self-market online, but I find myself wishing that they still had the option to disappear.
In Lazarus Man, he rejects the tropes of contemporary literature.
Dorothy Allison, the Bastard Out of Carolina author who died last week, modeled the power of honesty in her writing and her life.
A new book compares the authors and frenemies Joan Didion and Eve Babitz, but its fixation on their rivalry obscures the complicated truth.
A poem for Sunday
Thomas Mann’s The Magic Mountain offers a unique antidote to contempt and despair.
In her new book, Cho Nam-Joo captures both the universality of sexism and the specificity of women’s experiences.
When I was young and adrift, Thomas Mann’s novel gave me a sense of purpose. Today, its vision is startlingly relevant.