What Will Writers Do Without Twitter?
If the book industry is a walled garden, the site is a ladder.
If the book industry is a walled garden, the site is a ladder.
We all need a lesson in close reading and a dose of skepticism—especially online.
The Atlantic contributing writer and author of the Unsettled Territory newsletter is the winner of the 2022 National Book Award for Nonfiction.
A poem for Wednesday
In his new memoir, the former vice president selectively edits his four years with Trump to avoid a necessary reckoning.
Taffy Brodesser-Akner on stress dreams, the beauty of long scenes, and translating her novel, Fleishman Is in Trouble, to the small screen.
If you live in a country where democracy is still intact: Don’t wait.
The best works of history both clarify the present and hint at what the future might hold: Your weekly guide to the best in books
Mythology came long ago for the celebrated writer; now it’s coming for her belongings.
In his newest book, Michael Cohen seems to be no longer a witness to history, but rather a man fractured by history.
A quiet movement that began in the 1920s didn’t disappear—it just went underground.
The abolitionists have long been portrayed as heroes. A new book views them, and their family, in a different light.
In Percival Everett’s Dr. No, a fiendish revenge plot doubles as a deeply American endeavor.
Published in The Atlantic in 1953
Government scrutiny isn’t how it appears in 1984. To understand privacy, we’ll need to update our analogies.
The Atlantic’s writers have chosen books to help you understand the stakes of the midterms.
In his new book, Adam Hochschild remembers a time when a crusade for democracy abroad released a demonic spirit of intolerance and violence at home.
A poem for Wednesday
Reading alone can’t take away the pain, but prose can be part of one’s internal healing.
Bram Stoker’s gothic masterpiece speaks surprisingly well to our information-addled age of paranoia.