The Defiant Strangeness of Werner Herzog
The director brings his signature theme—adventurers who share his quixotic compulsions—to his debut novel.
The director brings his signature theme—adventurers who share his quixotic compulsions—to his debut novel.
This magazine has always been a destination for great writers and for those who love literature. That’s why we’re making books a much bigger part of what we do.
A Russian writer describes the journey of those, like himself, who chose exile rather than remain as their country invaded Ukraine.
In a new biography of the man whose murder sparked massive protests, two reporters tell a longer story of institutional racism.
In The Last Days of Roger Federer, Geoff Dyer writes about what happens when creative geniuses age—but he might need to do some maturing himself.
A short story
The Atlantic’s writers and editors have picked books to transport you, surprise you, and inspire you.
What was it that gave her such power?
A poem for Sunday
Alaa Abd el-Fattah’s writings reveal where the revolution lost steam, and how to rebuild its momentum.
Why schools provide such fertile ground for fiction: Your weekly guide to the best in books
Deborah Birx’s Silent Invasion offers more detail and nuance than any other pandemic book.
Penelope Mortimer’s 64-year-old novel is a powerful argument for letting women choose when and whether they become a parent.
Tom Perrotta reassesses his ’90s antihero.
Planetary warming is no longer the sole province of “climate fiction.” It’s creeping into all kinds of writing.
A staff writer at The Atlantic since 2016, Gilbert is a finalist for the 2022 Pulitzer Prize in Criticism.
A poem for Sunday
A new book explores several major “mother-artists” of the mid-to-late-20th century, and how they managed to be both.
When we notice the overlap between the divine and the secular, we can see how nuanced human belief is: Your weekly guide to the best in books
The shared history of apes and humans has long been put to political use.