Everyone Knows The Bear Isn’t a Comedy
The hit FX/Hulu show is funny, but not “ha ha” funny, and the Emmys may have caught on.
The hit FX/Hulu show is funny, but not “ha ha” funny, and the Emmys may have caught on.
Thousands of years into their telling, the Greek myths haven’t lost their power.
Netflix’s silliest show is the epitome of guilty-pleasure viewing. It should probably stay that way.
Hollywood sheen isn’t enough to enliven the tiresome romantic drama of Colleen Hoover’s best-selling novel, It Ends With Us.
Love Island USA is a dizzy, goofy delight—but the reasons for its success go deeper than its vision of dating-show chaos.
A new documentary examines the gymnast’s difficult decision to exit the 2021 Olympics, and the lessons she’s taking to the upcoming Summer Games.
The glossy, aspirational pleasures of Land of Women make for a calming contrast to modern TV’s dystopian programming.
The story of an all-female Muslim punk band trying to make it has lots of humor, and surprising depth.
Three Atlantic writers and editors share their Juneteenth recommendations.
A new book explores the history of the Cesarean section—and how it explains what’s broken about American health care.