Why British Police Shows Are Better
When you take away guns and shootings, you have more time to explore grief, guilt, and the psychological complexity of crime.
When you take away guns and shootings, you have more time to explore grief, guilt, and the psychological complexity of crime.
Why on earth has the formulaic series, which debuted half a century ago, outlasted just about everything else on television?
The latest “MonsterVerse” movie from Warner Bros. is lazily plotted and feels wholly disconnected from the films that came before it.
The remake of Dirty Rotten Scoundrels with Anne Hathaway and Rebel Wilson doesn’t do much with its new female leads—and what it does do, it does poorly.
A complete refresher on the HBO epic’s many shaky story lines as the show heads into its long-awaited final season
Netflix’s latest offering tells the story of Bonnie and Clyde from the perspective of the lawmen—played by Kevin Costner and Woody Harrelson—who pursued and killed them.
Triple Frontier, by the gifted director J. C. Chandor, is a letdown compared with his prior work.
What if the film had treated its amnesia story line as a creative opportunity rather than as a hindrance?
Can Roma nab Best Picture? Will A Star Is Born be snubbed? Here are The Atlantic’s predictions for the 91st Academy Awards.
The Rebel Wilson vehicle is neither funny nor clever enough to be the movie it wants to be.